Brian Fies is inviting people over to his blog to see pictures of his Mom's Cancer book launch. Even if you aren't interested in cartoons you should go check out his blog, and his book. I's a beautifully written story with gorgeous illustrations. Of course it's a sad story, but it's also very uplifting. I must say, it's a joy to read a blog that isn't all ranting and fuming, like, well, mine. I have no idea from where the bile comes.
While you're there you'll see cartoonist Mike Lynch in the odd photo. Mike is a fantastic guy (and a great cartoonist) who once sent me a comic out of the blue just because it's nice to get something in the post now and again. Take a look over at Mike Lynch's blog, especially if you're a cartoonist.
Tuesday, February 28, 2006
Harvard Cartoons
I get the Harvard Business Review a month or so after my cartoons are published, but it's still exciting because it comes in Doug's (King of Queens) big brown UPS truck. The magazine itself is a real treat because it is so visually literate. The thing is jammed full of first-class illustrations, and cartoons. I just got the January edition and I was happy to see a bunch of illustrations by British illustrator Tom Gauld (Guardian Situations Vacant drawings and a recent Boots ad'). I think there's something very special about his drawings.
Anyway, here's my cartoon:
Anyway, here's my cartoon:
This Month's Prospect
I've a cartoon in this month's Prospect (March 2006). It's teeny, but it still works. It's on the Arts page alongside an article about Gilbert and George, which seems to be both pro and anti. I have no opinion on Gilbert and George, but I think the artist as 'Art Object' is a load of fanny:
Saturday, February 25, 2006
Almost Forgot
How could I forget the cartoons that are getting people killed?
Well, really, they aren't cartoons as such, they are caricatures of the Prophet (it's forbidden to depict him in the Muslim religion), that the editor of a Danish newspaper requested from local 'cartoonists'. I don't know if he expressly asked these 'cartoonists' to caricature the entire religion as terrorists, but he seemed to have a very deliberate agenda, so it wouldn't surprise me if he spelled out the brief. For me, It was a shabby trick designed, for whatever reason, to cause the maximum offence possible. And now that the 'cartoonists' who were 'responsible' for the drawings are in hiding, for fear of their lives, I hope he will step forward and exonerate them and take the entire blame for the fiasco.
Over here many of the brave editorial cartoonists drew cartoons that somehow showed them as heroically drawing cartoons in favour of free speech under fear of death. And yet, some of their newspapers have made little or no mention, in cartoon form or otherwise, of the gradual erosion of freedom of expression in the UK. I mean, you try going near Downing Street and reading out the names of British soldiers killed in Iraq, or try shouting 'rubbish' at a Labour party conference. The more I think about it, the more I'm convinced that some editorial cartoonists are little more than Cartoon Ho's - editors cartoon bitches, if you will.
Well, really, they aren't cartoons as such, they are caricatures of the Prophet (it's forbidden to depict him in the Muslim religion), that the editor of a Danish newspaper requested from local 'cartoonists'. I don't know if he expressly asked these 'cartoonists' to caricature the entire religion as terrorists, but he seemed to have a very deliberate agenda, so it wouldn't surprise me if he spelled out the brief. For me, It was a shabby trick designed, for whatever reason, to cause the maximum offence possible. And now that the 'cartoonists' who were 'responsible' for the drawings are in hiding, for fear of their lives, I hope he will step forward and exonerate them and take the entire blame for the fiasco.
Over here many of the brave editorial cartoonists drew cartoons that somehow showed them as heroically drawing cartoons in favour of free speech under fear of death. And yet, some of their newspapers have made little or no mention, in cartoon form or otherwise, of the gradual erosion of freedom of expression in the UK. I mean, you try going near Downing Street and reading out the names of British soldiers killed in Iraq, or try shouting 'rubbish' at a Labour party conference. The more I think about it, the more I'm convinced that some editorial cartoonists are little more than Cartoon Ho's - editors cartoon bitches, if you will.
Friday, February 24, 2006
From the Desktop
From the Desktop
I think I’ll mix-and-match posts, from here on my desktop (great innovation the Blogger macro); from which I can’t post images, and online, from where I can add the odd illustration. It’s too convenient to pass on the opportunity.
Britain now has a concrete Cartoon Museum. I think it’s in London. From what I could gather from the news and the teeny article in the Gruniad, the usual suspects were there: Martin Rowlson (is that right?) and Steve Bell. I mean, am I the only one who thinks editorial cartoonists are all overrated? It has to be the easiest job in cartooning, you know, someone dies and they all draw the same cartoon about the person standing talking to St. Peter at the Pearly Gates, it’s a very cliché-ridden job. Also, they always try to tie-in two events, so it’d be something to do with whatever, plus the Winter Olympics. Hack-work really. Lord knows knocking out 5 to 10 good gag cartoons every day, that have to work 6 months down the line, is a hell of a lot harder than that.
It’s hard to believe, but we do have some really important cartoonists in this country, like Dave McKean, for instance, or Raymond Briggs, or the guy who draws Where’s Wally (Waldo), cartoonists who draw work that is appreciated all over the world, not just by the tiny readership of our local rags.
I think I’ll mix-and-match posts, from here on my desktop (great innovation the Blogger macro); from which I can’t post images, and online, from where I can add the odd illustration. It’s too convenient to pass on the opportunity.
Britain now has a concrete Cartoon Museum. I think it’s in London. From what I could gather from the news and the teeny article in the Gruniad, the usual suspects were there: Martin Rowlson (is that right?) and Steve Bell. I mean, am I the only one who thinks editorial cartoonists are all overrated? It has to be the easiest job in cartooning, you know, someone dies and they all draw the same cartoon about the person standing talking to St. Peter at the Pearly Gates, it’s a very cliché-ridden job. Also, they always try to tie-in two events, so it’d be something to do with whatever, plus the Winter Olympics. Hack-work really. Lord knows knocking out 5 to 10 good gag cartoons every day, that have to work 6 months down the line, is a hell of a lot harder than that.
It’s hard to believe, but we do have some really important cartoonists in this country, like Dave McKean, for instance, or Raymond Briggs, or the guy who draws Where’s Wally (Waldo), cartoonists who draw work that is appreciated all over the world, not just by the tiny readership of our local rags.
Thursday, February 23, 2006
Brokeback Update
I like the Donny Darko guy in Brokeback, so I made a nicer cartoon. The problem with these drawings is they are timed for the US market where the films are released a lot earlier. Sometimes I forget and our hapless cartoon editors over here scratch their heads in bewilderment:
Back on Track
I've resolved to be more bloggish, or bloggely, or whatever. At any rate I'm going to post more regularly. As usual I've been busy. I just knocked out a cartoon for the March edition of Prospect and I've got to fire some spec' work into a few titles by the first week in March.
Test
Test: Well, it’s no secret I’ve been extremely lax with my blogging, so hopefully, jotting into Word and just clicking it up here will make a big difference.
Aah, but there's the rub; can't upload cartoons.
Aah, but there's the rub; can't upload cartoons.
Wednesday, December 21, 2005
Back Again
Again! Well, my only excuse this time is that I was run off my feet. The big news over here is same-sex contracts. This gives same-sex couples a legal right to pass on property, and insurance, to one another in the event of a partner's untimely death. Which seems a wholly reasonable state of affairs to me. The next logical step is that people of different sexes who live together, but choose not to get married, will also achieve these rights. I'll be blowed, Britain is becoming a more modern society.
Also, Brokeback movie is doing big business. Of course it isn't over here yet, so I've drawn a cartoon, in very bad taste (as you'd expect), and I'll just sit back and watch if anything remarkably like it appears in print soon:
Tuesday, October 11, 2005
Well, that was a hiatus...
I'll bring the drawings up to speed shortly. Meanwhile, here's what happened, or at least this is all I can remember. The G-8 thing went ahead and those morons ripped up Princes Street Gardens in central Edinburgh, as a protest against, well, flowers I suppose. While they were here attracting police from all over the UK, the London bombings happened. Then the attempeted bombings by the gang who wired their bombs back-to-front, then New Orleans flooded, and now Pakistan has a homeless problem as large as the population of Scotland. As Nick Parkes said, after the Wallace and Grommit fire, 'in relation to what's been going on out there, this is nothing'. Nice, healthy attitude. Seems like a nice guy.
Sunday, June 12, 2005
Hiatus
I'm back, well, almost. I'm out of agony 24/7, at any rate and I now only hurt for part of the day. Back injuries are painful. Still, could have been worse.
You'd have been forgiven for not knowing that Britain's pensioners made the tremendous effort of travelling a great distance to barrack the UK Goverment about the 2 million of their number who are living in poverty over here. Particularly if you watch only the BBC news, which didn't seem to find the event particularly newsworthy. I'm sure this has nothing to do with the contribution made to the peniless-state some now find themselves in, by the BBC's TV license.
You'd have been forgiven for not knowing that Britain's pensioners made the tremendous effort of travelling a great distance to barrack the UK Goverment about the 2 million of their number who are living in poverty over here. Particularly if you watch only the BBC news, which didn't seem to find the event particularly newsworthy. I'm sure this has nothing to do with the contribution made to the peniless-state some now find themselves in, by the BBC's TV license.
Hairy Bastard
That one-man crusade against male-grooming products, Bob Geldoff, better not turn up anywhere near my house for this useless G8 protest. And that goes double for the shower that will be heading here at his say-so. Not that they need to bother anyone other than their own 'buy-to-let' tenents as the majority of them have second homes here, in Edinburgh, anyway.
I see we have now adopted the US policy of being free to demonstrate, as long as we are out of sight and ear-shot of the people we demonstrate against. It's laughable really, but since you need to prove that you have 5 million pounds ($10m) to demonstrate outside Gleneagles Hotel, I suppose the last laugh is on all of us.
I see we have now adopted the US policy of being free to demonstrate, as long as we are out of sight and ear-shot of the people we demonstrate against. It's laughable really, but since you need to prove that you have 5 million pounds ($10m) to demonstrate outside Gleneagles Hotel, I suppose the last laugh is on all of us.
Sunday, May 15, 2005
Saturday, May 14, 2005
Crap British Cartoons
Cartooning in the UK is in a sorry state. I suppose it was always pretty bad, but it's a lot worse now. I do most of my cartooning in the US, not just because the money is better, but also because the cartoon/art editors really seem to be interested in the cartoonists. It's really not that way here.
The Spectator is just one example of why cartoonists are a dying breed in Britain. Although they do buy some cartoons, by far the most popular cartoonist over the past couple of issues has been cut-and-paste 'cartoonist' Castro (who seems to grab vintage ads from online and manipulate them, a little), with about 10 cartoons in the last two issues. More even than the cartoon editor himself, Mike Heath, who also happens to be, Castro. It's not that the cartoon editor peppering the paper with his own 'illustrations' is itself objectionable, although no other cartoon editor does this, but what is objectionable is that these 'gags' are incredibly lame.
The future's not too bright looking either if the cartoon by the under 30 winner (that's young?) of The Young Cartoonist of the Year, displayed on TheCartoon Art Trust site is anything to go by. Okay, maybe that Batman cartoon is a bad example, Larsonesque 10 years after Larson's retirement, but it just looks so dated. Besides, a Batsignal message to Batman, come on, how old is that? And was Batman ever employed by anyone? Yeesh. And the judges... talk about big fish in a small pond...which is probably where the problem lies, I mean, they draw tired looking dated cartoons, so it stands to reason that is exactly what they'll pick as 'new' talent.
The Spectator is just one example of why cartoonists are a dying breed in Britain. Although they do buy some cartoons, by far the most popular cartoonist over the past couple of issues has been cut-and-paste 'cartoonist' Castro (who seems to grab vintage ads from online and manipulate them, a little), with about 10 cartoons in the last two issues. More even than the cartoon editor himself, Mike Heath, who also happens to be, Castro. It's not that the cartoon editor peppering the paper with his own 'illustrations' is itself objectionable, although no other cartoon editor does this, but what is objectionable is that these 'gags' are incredibly lame.
The future's not too bright looking either if the cartoon by the under 30 winner (that's young?) of The Young Cartoonist of the Year, displayed on TheCartoon Art Trust site is anything to go by. Okay, maybe that Batman cartoon is a bad example, Larsonesque 10 years after Larson's retirement, but it just looks so dated. Besides, a Batsignal message to Batman, come on, how old is that? And was Batman ever employed by anyone? Yeesh. And the judges... talk about big fish in a small pond...which is probably where the problem lies, I mean, they draw tired looking dated cartoons, so it stands to reason that is exactly what they'll pick as 'new' talent.
Thursday, May 12, 2005
Revenge of the Sith
I'm not actually a Star Wars fan. I did attend the first ever showing, but its appeal wained quite quickly. I've never really been a fan of the comic books, or any of the associated paraphernalia.
What put me off early on was Alex Guiness. He considered the film beneath him. Yet I thought he was crap. I don't think he could act at all, in fact he was worse even than Laurence Olivier (his Othello has to be seen to be believed). He's okay in The Ladykillers, but none of the Ealing comedies of that period was less than brilliant, so I reckon that's being good by association. The totally brilliant Peter Sellers starred alongside Guiness in The Ladykillers and to my mind he was a far superior actor. Not only that, but I think he was the funniest comedian of all time, streets ahead of that affected, bullying, drone Peter Cook.
Anyhoo, a horny Yoda, yuckerooney.
What put me off early on was Alex Guiness. He considered the film beneath him. Yet I thought he was crap. I don't think he could act at all, in fact he was worse even than Laurence Olivier (his Othello has to be seen to be believed). He's okay in The Ladykillers, but none of the Ealing comedies of that period was less than brilliant, so I reckon that's being good by association. The totally brilliant Peter Sellers starred alongside Guiness in The Ladykillers and to my mind he was a far superior actor. Not only that, but I think he was the funniest comedian of all time, streets ahead of that affected, bullying, drone Peter Cook.
Anyhoo, a horny Yoda, yuckerooney.
Going Down.
Gasp! Just surfaced from underneath a mountain of paperwork. I've finished a lot of stuff and sent something over to Stik at Sticky Pages for his free online comic. You should check it out.
Sunday, May 08, 2005
Lazy Sundays
This'll be all about cartooning. It is dull, dull, dull, unless you like that sort of thing.
I split the day up because I have that disorder where you get really excited about something, and then the moment you achieve, or buy, it, or whatever, you get really bored with it, so I arrange a range of things to work on. From around 9am to 12 I'll get straight down to drawing gag cartoons so I'll finish maybe 5, and hopefully 10. Then I'll watch all the news programmes until 1.30, but I'll only take an hour off and the news will continue in the background, on cable. At 1pm I'll work on one of two strips and I'll try to ink one episode and pencil another. Around about 3pm I'll work on a graphic novel, or a comic book. Then, around 4pm, while I'm thinking about drawing, I'll start making dinner, from scratch. When my wife gets home from teaching she sits down to eat, and I start to think about clearing up and that'll take me to 6, 7, 8, 9 , 10, or 11. If I start pottering around online it'll take even longer. After I do settle down we'll discuss our days and my wife will drag herself off to bed leaving me to sit there sketching and writing until about 3am. If the cable is really bad I'll put a Curb your Enthusiasm, or Seinfeld dvd on. But if something like Dad's Army, or Gimme, Gimme, Gimme (no idea why I like it), or Father Ted is on I'll have that in the background. Some nights I just watch tv and if I do get a flash of inspiration I'll scribble something in my handy notebook. At the moment any spare time I have is spent thinking about next year's greetings card designs.
Saturdays I don't do anything, sometimes. But that's over quikly and on Sunday afternoon, after reading the papers all morning (seldom anything funny in that lot), it's time to prepare for the week ahead. That means getting the postage, envelopes, etc, organised so they are within easy reach. Otherwise I get annoyed and flusstered and end up covered in ink and glue. It's also a good day for cleaning pens and other pottering around and reading cartoon material like Robert Mankoff's Naked Cartoonist or a comic book. Man, what a geek I am.
I split the day up because I have that disorder where you get really excited about something, and then the moment you achieve, or buy, it, or whatever, you get really bored with it, so I arrange a range of things to work on. From around 9am to 12 I'll get straight down to drawing gag cartoons so I'll finish maybe 5, and hopefully 10. Then I'll watch all the news programmes until 1.30, but I'll only take an hour off and the news will continue in the background, on cable. At 1pm I'll work on one of two strips and I'll try to ink one episode and pencil another. Around about 3pm I'll work on a graphic novel, or a comic book. Then, around 4pm, while I'm thinking about drawing, I'll start making dinner, from scratch. When my wife gets home from teaching she sits down to eat, and I start to think about clearing up and that'll take me to 6, 7, 8, 9 , 10, or 11. If I start pottering around online it'll take even longer. After I do settle down we'll discuss our days and my wife will drag herself off to bed leaving me to sit there sketching and writing until about 3am. If the cable is really bad I'll put a Curb your Enthusiasm, or Seinfeld dvd on. But if something like Dad's Army, or Gimme, Gimme, Gimme (no idea why I like it), or Father Ted is on I'll have that in the background. Some nights I just watch tv and if I do get a flash of inspiration I'll scribble something in my handy notebook. At the moment any spare time I have is spent thinking about next year's greetings card designs.
Saturdays I don't do anything, sometimes. But that's over quikly and on Sunday afternoon, after reading the papers all morning (seldom anything funny in that lot), it's time to prepare for the week ahead. That means getting the postage, envelopes, etc, organised so they are within easy reach. Otherwise I get annoyed and flusstered and end up covered in ink and glue. It's also a good day for cleaning pens and other pottering around and reading cartoon material like Robert Mankoff's Naked Cartoonist or a comic book. Man, what a geek I am.
Friday, May 06, 2005
Sorted
Quick bit of time travel. I've set the clock to UK time now. I've just scanned 10 cartoons into the computer. I used good old fashioned grey watercolour wash for half tones. It actually looks grey-blue, but scanned in as 'greys' does the trick. I don't really think you can replicate the effect of watercolour tones on the computer that well, but, if you colour the half-toned cartoon with a low opacity, the colour lets the variations in the tone show through, and that really does look hand-painted.
I'm going to grab a bit lunch and head to Chester for the racing. I should get there around 3 o'clock. If I take a sketch pad, it's work.
I'm going to grab a bit lunch and head to Chester for the racing. I should get there around 3 o'clock. If I take a sketch pad, it's work.
Elected, well, sort of...
Well, that's it all over then. Tony Blair's majority has been greatly diminished so it's a return to collective goverment, because he'll no longer be able to abridge reports and steamroller bills through. And since El Presidenti doesn't like collective goverment he should go soon, perhaps within the next 6 months (depending on how low the winning margin is), allowing Pruidence to take over.
On the plus side there seems to be some hot new totty from the Lib Dem's moving into the Commons.
On the plus side there seems to be some hot new totty from the Lib Dem's moving into the Commons.
Subscribe to:
Posts (Atom)